The Butcher Boys

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Butcher Boys is a sculpture made by South African artist Jane Alexander of three life size, oil painted plaster figures with animal horn and bone details, seated on a bench. The work formed part of her MAFA submission and was first exhibited at the Market Theatre Gallery in Johannesburg in 1986. It was acquired by the South African National Gallery in 1991. The work was a response to the state of emergency in South Africa at the time.

"...Jane Alexander arrived at the humanimal during a crisis period of uncertainty and transition in South Africa - the state of emergency declared in 1985, when she created Butcher Boys as part of her graduate studies, was renewed each year up to 1990 - indicates the farsighted choices by which her sculptural practice has revived the grotesque as a counterdiscourse of our times. Adapting the hybridity principle to produce original insights into the postcolonial condition, moreover, her practice - like a mutant strand of art historical DNA that claims multiple parentage - demonstrates how fitting the grotesque is as a means of questioning once-familiar notions of "race."

The work consists of three lifesize humanoid beasts with powdery skin, black eyes, broken horns, and no mouths sitting on a bench. The beasts are devoid of their outside senses - their ears are nothing more than deep gorges in their heads and their mouths are missing, appearing to be covered with thick roughened skin.

Brett Bailey's Plays of Miracle and Wonder was published with a cover photograph showing three men posed after Jane Alexander's Butcher Boys sculpture.