The Thinker

Origin

The Thinker was initially named The Poet (French: Le Poète), and was part of a large commission begun in 1880 for a doorway surround called The Gates of Hell. Rodin based this on The Divine Comedy of Dante Alighieri, and most of the figures in the work represented the main characters in the poem with The Thinker at the center of the composition over the doorway and somewhat larger than most of the other figures. Some critics believe that it was originally intended to depict Dante at the gates of Hell, pondering his great poem. Other critics reject that theory, pointing out that the figure is naked while Dante is fully clothed throughout his poem, and that the sculpture's physique does not correspond to Dante's effete figure. The sculpture is nude, as Rodin wanted a heroic figure in the tradition of Michelangelo, to represent intellect as well as poetry.

This detail from the Gates of Hell was first named The Thinker by foundry workers, who noted its similarity to Michelangelo's statue of Lorenzo de Medici called Il Pensieroso (The Thinker), and Rodin decided to treat the figure as an independent work at a larger size. The figure was designed to be seen from below and is normally displayed on a fairly high plinth, although the heights vary considerably chosen by the various owners.

Casts

The Thinker has been cast in multiple versions and is found around the world, but the history of the progression from models to castings is still not entirely clear. About 28 monumental-sized bronze casts are in museums and public places. In addition, there are sculptures of different study-sized scales and plaster versions (often painted bronze) in both monumental and study sizes. Some newer castings have been produced posthumously and are not considered part of the original production.

Rodin made the first small plaster version around 1881. The first full-scale model was presented at the Salon des Beaux-Arts in Paris in 1904. A public subscription financed a bronze casting in 1906, which became the property of the City of Paris, and was put in front of the Panthéon. In 1922, it was moved to the Hôtel Biron, which had been transformed into the Rodin Museum.

A bronze cast of the sculpture can be found in front of Grawemeyer Hall on the University of Louisville Belknap Campus in Louisville, Kentucky. It was made in Paris and was first displayed at the St. Louis World's Fair in 1904, then given to the city. This sculpture was the only cast created by the lost-wax casting method.