Adoration of the Shepherds

The "Adoration of the Shepherds" a captivating painting by the 17th-century Italian master Domenichino, has been a treasured piece at the National Gallery of Scotland in Edinburgh since 1971. Prior to that, it adorned the walls of the Dulwich Picture Gallery in London. This artwork illustrates the classic scene of shepherds adoring the newborn Jesus, yet Domenichino imbues it with his distinctive touch through unique details. For instance, the scene features an unusually large number of shepherds, and one of them is even playing the bagpipes! Additionally, you’ll notice Saint Joseph engaged in practical tasks and a shepherd’s dog near the crib—both rare elements in such depictions.

Art historians have engaged in lively debates regarding this painting. Gian Pietro Bellori, for instance, suggested that it might be a copy of a lost work by Annibale Carracci. Domenichino studied under Ludovico Carracci in Bologna and later joined Annibale's circle in Rome, so it’s plausible that he was inspired by Annibale’s drawings. The painting's history before 1813 is somewhat murky, with conflicting records and some attributions to Carracci. It was not until 1906–07 that Hans Tietze definitively attributed it to Domenichino.

The painting's sale in 1971 stirred considerable controversy. The trustees of Dulwich Picture Gallery sold it to the National Gallery of Scotland, but the transaction sparked criticism and even a parliamentary debate due to the lack of public notice before the auction. Despite the uproar, the painting is in good condition, although some colors have altered due to chemical reactions over time.

Domenichino’s "Adoration of the Shepherds" continues to fascinate both art lovers and scholars. Its composition, the artist’s influences, and its complex history are all subjects of ongoing study and admiration. The painting stands as a testament to Domenichino's talent for infusing traditional religious scenes with intricate and unique details, making it a standout piece in the art world.