Preparing for a Fancy Dress Ball

William Etty's 1835 painting, "Preparing for a Fancy Dress Ball" also known as "The Misses Williams-Wynn" is a captivating piece showcasing the artist's versatility. This oil on canvas, measuring 173 by 150 cm, portrays Charlotte and Mary, daughters of the Welsh Conservative politician Charles Watkin Williams-Wynn, adorned in opulent Italian-style costumes. This work signifies a notable departure from Etty's usual focus on nude figures.

The painting was a success at the 1835 Royal Academy Summer Exhibition, highlighting Etty's ability to excel beyond his typical genre. An English artist, Etty initially struggled for recognition but gained fame with pieces like "The Arrival of Cleopatra in Cilicia" in 1821. Though renowned for his nude paintings, he demonstrated his range by accepting a portrait commission of Elizabeth Potts in 1833.

"Preparing for a Fancy Dress Ball" captured the 1830s trend of elaborate costume parties and underscored the high social status of the Williams-Wynn family. Critics praised the painting's intricate composition and meticulous attention to detail, as well as Etty's commitment to creating more than a mere likeness.

The painting resonated with the elite audience of its time, leading to further commissions for Etty and cementing his reputation as a skilled artist. However, despite its initial acclaim, portraiture was generally undervalued in the 19th century compared to history painting. Etty's legacy was somewhat eclipsed by changing tastes, and his works fell out of fashion after his death in 1849.

"Preparing for a Fancy Dress Ball" remained in private collections until the York Art Gallery acquired it in 2009. Today, the painting is a significant part of the gallery's collection and has been featured in exhibitions celebrating Etty's artistry.