Facts About Pygmalion and the Image: The Heart Desires
"Pygmalion and the Image" is one of four magnificent oil paintings in the "Pygmalion and Galatea" series by the esteemed Pre-Raphaelite artist Edward Burne-Jones. Completed between 1875 and 1878, this series vividly captures the timeless myth of Pygmalion and Galatea with remarkable depth and emotion. The second series of these paintings is proudly displayed at the Birmingham Museum and Art Gallery.
Let's delve into each painting in the second series:
1. "Pygmalion and Galatea I: The Heart Desires": In this piece, we find Pygmalion in his studio, ruminating on his solitary life and envisaging his next masterpiece. The painting exquisitely portrays his longing and creative drive.
2. "Pygmalion and Galatea II: The Hand Refrains": Here, Pygmalion gazes upon his creation, Galatea, with a blend of admiration and love. The intricate details and the palpable emotional connection between the artist and his sculpture are striking.
3. "Pygmalion and Galatea III: The Godhead Fires": This painting introduces a touch of the divine, as Aphrodite breathes life into Galatea in Pygmalion's absence. The scene is vibrant and sensual, brimming with the goddess's transformative power.
4. "Pygmalion and Galatea IV: The Soul Attains": In the final painting, Pygmalion humbles himself before the now-living Galatea. This emotional climax of the series showcases the fulfillment of his dreams and desires in a deeply poignant moment.
Burne-Jones' work on this series is a testament to his extraordinary ability to capture the essence of classical myths. The "Pygmalion and Galatea" series was exhibited at the Grosvenor Gallery in 1879, further cementing Burne-Jones as a leading figure in the Aesthetic Movement. The paintings are celebrated for their blend of classical themes, meticulous details, and profound emotional depth, making them some of the most significant pieces in Burne-Jones' artistic legacy.